ICLI 2016 – Paper session 1
Daniel Reyes and Ajay Kapur: Designing Mechatronic Systems Inspired by Sinusoidal Mathematics. Kate Sicchio, Camille Baker, Tara Baoth Mooney and Rebecca Stewart: Hacking the Body 2.0: Flutter/Stutter. Simon Biggs: Dark Matter: Co-Reading as a Generative Ontology. Enrike Hurtado: Interfacing the txalaparta: digitalising a traditional instrument with the help of its players.
ICLI 2016: International Conference on Live Interfaces Attenborough Centre for the Creative Arts (ACCA), University of Sussex, UK. July 1st, 2016.
ICLI 2016 – Paper Session 2 - Short Papers
Claudio Lucchiari, Raffaella Folgieri & Francesco Soave: Creative Thinking: A Brain Computer Inter-face of Art. Mike Blow: Pod: A Multi-Sensory Sound Interface. Jan C. Schacher & Daniel Bisig: Face to Face - Performers and Algorithms in Mutual Dependency. Alexandre Clément, Filipe Ribeiro, Rui Rodrigues & Rui Penha: Bridging the gap between performers and the audience using networked smartphones: the a.bel system. Ximena Alarcén: Tuning the interface for relational listening. Carina Westling: Postdigital efficiency in interaction design.
ICLI 2016: International Conference on Live Interfaces Fulton B, University of Sussex, UK. July 1st, 2016.
ICLI – Paper Session 3
Jakub Fiala, Matthew Yee-King & Mick Grierson: Collaborative coding interfaces on the Web. William Hsu: Designing Interactive Audiovisual Systems for Improvising Ensembles. Gerard Roma: Colliding: a SuperCollider environment for synthesis-oriented live coding. Anna Xambó , Jason Freeman, Brian Magerko & Pratik Shah: Challenges and New Directions for Collaborative Live Coding in the Classroom.
ICLI 2016: International Conference on Live Interfaces Attenborough Centre for the Creative Arts (ACCA), University of Sussex, UK. July 2nd, 2016.
Gregory Beller: Babil-on V2
"A performance of augmented musical theatre, which describes the imaginary destiny of the Speech."
ICLI 2016: International Conference on Live Interfaces Attenborough Centre for the Creative Arts (ACCA), University of Sussex, UK. July 1st, 2016.
Bill Hsu & John Butcher: Linguistic Margins/Visual Atolls 16
A suite of structured audiovisual improvisations for two to four performers, utilizing live electronic and acoustic sound, and interactive animations.
ICLI 2016: International Conference on Live Interfaces Attenborough Centre for the Creative Arts (ACCA), University of Sussex, UK. July 1st, 2016.
ICLI 2016 – Panel Session with Alex McLean, Adriana Sa, Stuart Nolan, Kristina Andersen and Roman Paska.
Chair: Thor Magnusson
ICLI 2016: International Conference on Live Interfaces Attenborough Centre for the Creative Arts (ACCA), University of Sussex, UK. July 2nd, 2016.
Christos Michalakos: Pathfinder
A performance-game for solo drummer, exploring the synergies between multiple contemporary creative practices, navigating between music composition, improvisation, projection/light art and game art.
ICLI 2016: International Conference on Live Interfaces Attenborough Centre for the Creative Arts (ACCA), University of Sussex, UK. July 1st, 2016.
Courtney Brown: Interactive Tango Milonga: Fragments
An interactive dance performance using the Interactive Tango Milonga system, which enables dancers to drive musical outcomes via their movements within the Argentine tango music and dance tradition.
ICLI 2016: International Conference on Live Interfaces Attenborough Centre for the Creative Arts (ACCA), University of Sussex, UK. July 2nd, 2016.
Ricardo Climent: s.laag (2016) - for game-audio with 3D body-scanned performer, composer and instrument
An interactive musical work composed by Ricardo Climent for Dutch Bass Clarinettist Marij Van Gorkom, as part of the dutch-uk.network project. It includes 3D models by both Climent and Manusamo & Bzika based on 3D Body scanners provided by Simeon Gill at the School of Materials Design & Fashion, University of Manchester.
ICLI 2016: International Conference on Live Interfaces Attenborough Centre for the Creative Arts (ACCA), University of Sussex, UK. July 2nd, 2016.
Shelly Knotts: Union
An algorithmic system for mediating collaboration in telematic improvisation. OFFAL (Orchestra For Females And Laptops), a geographically dispersed collective of female sound artists and musicians, perform using the Union system, an algorithmic mechanism which aims to mediate interaction between performers and find 'musical consensus' in the incoming audio streams.
ICLI 2016: International Conference on Live Interfaces Attenborough Centre for the Creative Arts (ACCA), University of Sussex, UK. July 2nd, 2016.