Ben Neill: Horizonal
A series of audio-visual pieces by composer Ben Neill for his self-designed electro-acoustic instrument, the mutantrumpet, with live interactive audio and video. The pieces utilize digital reproductions of paintings by artist Andy Moses as their visual material.
ICLI 2016: International Conference on Live Interfaces St Mary's Church, Kemptown, Brighton, UK. July 1st, 2016.
Dan Gibson: The Modified Cello
A performance with the modified cello. A combination of sensors, audio analysis and DSP software are used to provide expressive, accessible and intuitive control over the dynamics and subtleties of digital sounds and processes.
ICLI 2016: International Conference on Live Interfaces St Mary's Church, Kemptown, Brighton, UK. July 1st, 2016.
Gerard Roma, Anna Xambó and Jason Freeman: Do the Buzzer Shake
This performance explores a setting where the music is entirely created by the audience using their mobile phones, and there are no predefined hierarchies beyond the proposed interface.
ICLI 2016: International Conference on Live Interfaces St Mary's Church, Kemptown, Brighton, UK. July 1st, 2016.
Pete Furniss: Clarinet + electronics
" As contemporary creative performers, our responsibility is to learn where and how we are able to exercise influence over an increasingly mediated environment, to what extent we wish to do so, and how to articulate this clearly with our technical collaborators—thereby negotiating our way to a wider musical practice that asserts its own values while embracing ongoing change and innovation."
ICLI 2016: International Conference on Live Interfaces St Mary's Church, Kemptown, Brighton, UK. July 1st, 2016.
Simon Blackmore, Antony Hall and Steve Symons: Rock Music
The Owl Project have developed a range of interfaces and techniques for transforming the ancient process of making a hand axe into a live musical performance. In Rock Music Owl Project delve 5000 years back in time to one of the oldest known creative processes, making sharp tools from rock such as flint.
ICLI 2016: International Conference on Live Interfaces St Mary's Church, Kemptown, Brighton, UK. July 1st, 2016.
Resonator Workshop Performance
ICLI 2016: International Conference on Live Interfaces Attenborough Centre for the Creative Arts (ACCA), University of Sussex, UK. June 30th, 2016.
Camille Baker, Kate Sicchio, Rebecca Stewart and Tara Baoth Gooney: Flutter/Stutter
An improvisational dance piece, part of the Hacking the Body 2.0 project, that uses networked soft circuit sensors to trigger sound and haptic actuators in the form of a small motor that tickles the performers. Dancers embody the flutter of the motor and respond with their own movement that reflects this feeling.
ICLI 2016: International Conference on Live Interfaces St Mary's Church, Kemptown, Brighton, UK. July 1st, 2016.
Ivo Teixeira, Rodrigo Carvalho, Tiago Rocha and Francisca Rocha Gonçalves: Drip Pigment
This performance reflects on how new emerging interaction techniques influence preconceived notions of painting. A Leap Motion device is used as interface, capturing the gestures made by the performer. A custom application developed in Max reads and parses the motion data and sends control messages to the Arduino, making the machine’s motors move.
ICLI 2016: International Conference on Live Interfaces St Mary's Church, Kemptown, Brighton, UK. July 1st, 2016.
Magnetic Resonator Piano Workshop Performance 10.
ICLI 2016: International Conference on Live Interfaces Attenborough Centre for the Creative Arts (ACCA), University of Sussex, UK. June 30th, 2016.
Magnetic Resonator Piano Workshop Performance 9
ICLI 2016: International Conference on Live Interfaces Attenborough Centre for the Creative Arts (ACCA), University of Sussex, UK. June 30th, 2016.