Magnetic Resonator Piano Workshop Performance 8
ICLI 2016: International Conference on Live Interfaces Attenborough Centre for the Creative Arts (ACCA), University of Sussex, UK. June 30th, 2016.
Magnetic Resonator Piano Workshop Performance 8
ICLI 2016: International Conference on Live Interfaces Attenborough Centre for the Creative Arts (ACCA), University of Sussex, UK. June 30th, 2016.
Magnetic Resonator Piano Workshop Performance 7
ICLI 2016: International Conference on Live Interfaces Attenborough Centre for the Creative Arts (ACCA), University of Sussex, UK. June 30th, 2016.
Magnetic Resonator Piano Workshop Performance 6
ICLI 2016: International Conference on Live Interfaces Attenborough Centre for the Creative Arts (ACCA), University of Sussex, UK. June 30th, 2016.
Magnetic Resonator Piano Workshop Performance 5
ICLI 2016: International Conference on Live Interfaces Attenborough Centre for the Creative Arts (ACCA), University of Sussex, UK. June 30th, 2016.
Magnetic Resonator Piano Workshop Performance 4
ICLI 2016: International Conference on Live Interfaces Attenborough Centre for the Creative Arts (ACCA), University of Sussex, UK. June 30th, 2016.
Magnetic Resonator Piano Workshop Performance 3
ICLI 2016: International Conference on Live Interfaces Attenborough Centre for the Creative Arts (ACCA), University of Sussex, UK. June 30th, 2016.
Magnetic Resonator Piano Workshop Performance 2
ICLI 2016: International Conference on Live Interfaces Attenborough Centre for the Creative Arts (ACCA), University of Sussex, UK. June 30th, 2016.
Type a personality – Anne Veinberg
Type a Personality is a score for pianist with interwoven typing as well as live coded synthesis engine electronics part. The control sequence for the electronics part is a direct result of Anne’s scripted typing; the inevitable errors in typing certain keys under time pressure, and the inter-key time intervals, directly set the state and memory values of the audio engine. The exact text to type out is different for each performance.
ICLC International Conference on Live Coding 2015
13 July 2015 CCCH School of Music, University of Leeds
Gopher - Marcel Wierckx and Anne Veinberg
Gopher is the second of a series of compositions for Disklavier performed as a duet between pianist and live coder. In this composition the system is used to generate notes on the piano which are performed as harmonics by the pianist. Pitch and rhythm are treated as separate entities, enabling the live coder to generate complex shifting patterns using relatively simple commands. Gopher is inspired by the fairground game in which the player hammers the heads of plastic gophers as they pop up out of holes in a random sequence. The pianist plays harmonics on the strings of the piano in much the same way, and in that sense the piece can be seen as a game between the pianist and live coder.
ICLC International Conference on Live Coding 2015
13 July 2015 CCCH School of Music, University of Leeds
Encoding the Marimbist - Thor Magnusson and Greta Eacott
In this performance the marimbist Greta Eacott performs real-time generated musical notation in the form of code. The coding language called CMU (Code Music Notation) is a notational language for human interpreters and thus different from traditional CUI's (Code User Interfaces) written for machine interpreters. CMU is an object oriented programming language with a C-family syntax and dot notation, also supporting functional approaches, such as first class functions and recursion.
ICLC International Conference on Live Coding 2015
13 July 2015 CCCH School of Music, University of Leeds